Electribe 5 Days In
Well, it’s been a busy week getting everything prepped for the big move still, but I’ve been trying to get as much time on the Electribe as possible. Overall it’s been a super fun experience, and I’m really starting to feel like the new Electribe could be my new main instrument for some time to come. Given all the gear I’ve been through this year trying to find “the one”, that’s a great feeling.
Now that I’ve had more time to get deeper into the synthesis options, I’m getting more and more confident that there’s a lot of sound design capabilities. The Mod section in particular really adds a lot of animation to your sounds, especially when you start adding in motion sequencing too. One of the few downsides of the Mod section is that a lot of the BPM synced LFO are also key sync so the cycle starts with each note on. Not a huge deal since there’s unsynced LFOs that can run freely, and happily the rate on these goes super low for really long evolving sounds.
One of the few frustrations I’ve been having is with editing my sequences after I’ve recorded something. The Electribe has a Step Editor for this exact task, which allows you to change a note’s pitch, velocity, or the gate time (note length). Unfortunately it seems that because you can’t have a note longer than one step, really long chords and the like are recorded as tied notes. This makes it hard to see which step has the actual note trigger, and which ones are tied. I still need to dive into this a little more, but for now it’s just been easier to delete the part and just record it again. More to come on this.
I’m still exploring the basics of Pattern creation at the moment, so I haven’t had a chance to do much from a live performance standpoint. I’ve been experimenting a little with how to do transitions from one pattern to the next, mainly using master effect delays. If you set a really long decay time for the delays (and use the same delay for both patterns), you can do a decent bit of blending to smooth out the transitions. Unfortunately the Hold button on the Touch Pad doesn’t seem to work when you switch patterns, so you need to keep your finger on the trackpad to keep the delay effect on and at the same level. Still, better than nothing and at least it’s s starting point.
In happier news, it was recently discovered that you can connect an iPad or iPhone to the Electribe via the camera connection kit, and the Electribe will show up on the iPad and a MIDI source and destination. This means you can sequence your iPad apps from the Electribe, or use an iOS MIDI app to enter notes on the Electribe instead of the Trigger Pad. ThumbJam and Genome users should be happy with this!
Especially when you realize you can then route the audio from the iPad into the Electribe, either directly through untouched, or to be effected by the Electribe effects. Since each part on the Electribe can host its own Audio Input OSC, that means in theory you could have 16 different effects processing the audio input signal in parallel, all at once. Sweet. I starting to think the Electribe and my iPad running Gadget could be a pretty awesome live combo!
I’m still trying to get a video review and some audio examples done asap, so hopefully I’ll have some more info soon. Stay tuned!