Given how much talk is going on in the iOS music community about iOS8, I wanted to share my thoughts on the situation.
When I first switched to an OSX based computer from Windows, one of the first things I learned is that if you want things to go easy in Apple land, you stay current. Apple has no qualms about abandoning standards, ports, OS’s, whatever if they think they have a new and better way of doing things. It’s just the way they are, their main attraction to consumers is being cutting edge, and that means not looking behind too much, which is unfortunate for a lot of people.
I learned the hard way when I bought my parents an iMac years ago so they could surf the web and FaceTime with us. It was a nice closed system, it worked, and we agreed not to update anything. Except then you get cut out of the Apple ecosystem eventually. You need a newer OS than your hardware supports just to sync, or to do something like FaceTime. You wait too long, you get left behind, and no one at Apple will care.
So I update right away when OS updates come out, not because I’m an Apple lemming, but because that’s how their whole ecosystem is set to work. Look, here’s the newest way we’re doing things, everyone get onboard. You too with the iPod Touch, you have to stand in back though. Apps are expected to be kept current, and Apple is going to adjust the OS however they want to make things better. You don’t have to agree with it, that’s just how it’s worked so far.
This has happened to me a lot over the years, both on the laptop and on iOS devices all the way back to the first iPhone. Each time, I’d say that a few apps probably have issues, but in general it goes very smoothly. The few apps that do have hiccups, usually get an update in a few weeks and then it’s like nothing happened. Ironically iOS8 was the first time I’ve noticed more than 1 or 2 issues, and they are all related to Audiobus, not the actual iOS8 update.
I don’t make all my money from using my iPad to make music, but I do use it a lot for writing songs that I sell to supplement my income. Never have I run into a situation where I didn’t have some other apps I could turn to that got the job done. Any time you rely on too strict of a configuration of gear to get work done, you’re setting yourself up for a disaster eventually IMO. There’s THOUSANDS of apps available for writing music, don’t blame the tools if you’re calling yourself a craftsman.
I DO make all my money running a business that relies on OSX software (Audiofile’s Triumph) for me to function and make money. So I know all about wanting things to work right in order to feed my family. But it’s also taught me that you have to really focus on the developers who KNOW how important it is that they are on that update bus just like Apple wants them to be. One of my best friends writes iOS music apps, and I see with each of these iOS updates how much prep work they put in to make sure their user base has the least wait possible. Good developers know what’s going on, they’re not (usually) surprised by OS updates.
It’s taught me to focus on a lean set up that uses software from developers I know are in it for the long haul. Many like the people on this forum, you can tell by the way that they interact with their user base that everyone is on the same page. You find the right group of people making software you like, those that have a great record for staying current and fixing bugs fast, and you don’t have to worry about many of these issues.
At least not for long 🙂
People have been freaking out as if things are the end of the world, but the fact is there’s enough that IS working that you can figure it out if you need to get a job done. We’re making music with a computer, which means there’s actually a LOT of things that are integral to how we express ourselves that are out of our control (and always will be). You need to be flexible to deal with hiccups when they come, because we are never the intended user base for the way these devices are designed.
Things like this will happen, adapt, move on (and support those developers that want to support you). It’s critical to being a 21st century musician IMO.
(first posted on the Audiobus forums I admit)